Depicts the story of a female protagonist who calmly practices scrutiny when faced with a moment when it is necessary in daily life, but for some reason shrinks in front of love.

A high-flying comedy where Goldie, a privileged heir in disguise as Gopal, navigates crazy crew antics, wild passengers, and in-flight chaos to prove his worth!

An eternal landscape from the Yesilcam.

Did Nick Ray leave Hollywood, or did Hollywood leave him? What was he up to when he returned to the States after a decade in Europe? What was his intention with We Can’t Go Home Again, that experimental film he made with a bunch of college students? What was he doing with so many images on the screen all at once? How did he do it? Why was the film never finished? Did he lose his way, his talent, his sanity, his common sense? Don’t Expect Too Much, a feature-length documentary helmed by Ray’s wife Susan, investigates these questions and the relationship forged by Ray between his life and his art. Drawing on the director’s archive of never-before-seen film, video and stills, Susan finds answers to our questions about Nick Ray in Nick Ray’s own words and images. And we learn from interviews with members of the original crew of We Can’t Go Home Again, directors Jim Jarmusch and Victor Erice, and others, how this man lived, saw, learned and taught, how he fought and danced with his demons, how he loved.

Story about three youthful couples in contemporary Los Angeles.

Pat Leone is a failed restaurateur toiling away at his brother's deli. Lara Doyle is a frustrated diner waitress stuck in a middle-aged rut. Both divorced and in need of some romance, Pat flaunts his Jersey charm, world-famous Italian chicken, and maybe even a karaoke song, determined to win her heart.

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A series of cartoons based on the stories of northern fairy tales by the writer Stepan Pisakhov. Tall tales and funny fantasies about people living near the White Sea.

This Passing Parade entry looks at several historical "truths" that just aren't so: Steve Brodie never jumped off the Brooklyn Bridge; Mrs. O'Leary's cow did not start the great Chicago fire; Nero didn't fiddle while Rome burned; and Lady Godiva never rode naked through the streets of Coventry.

Beatrise is drifting in life. She has based her existence on unsuccessful relationships that have collapsed, like sand castles, one after the other. Forced to re-evaluate things, she realizes that she can only achieve harmony by learning to rely on herself, and not on illusory feelings or words.